Norman Pearlstine, executive editor of the Los Angeles Times discusses lessons that he has learned over his five decades in journalism. Pearlstine’s distinguished career includes top editorial posts at Time Inc., Bloomberg, the Wall Street Journal and Forbes.
Read on the excerpt interview below:
What would you say shaped your goals and served as your motivation for your professional journey?
Before my sophomore year, I wrote to 30 newspapers asking for a summer internship; 29 turned me down. … The Allentown Chronicle offered me a job on the spot for $55 a week, so I worked as a summer intern. After college, I went to law school, because of that family pressure, and I did not get back into journalism until I took and passed the bar exam. I then ended up becoming a copy boy at The New York Times. I was a terrible copy boy. I was about to be fired when The Wall Street Journal offered me a reporting job in Dallas. I was lucky to have left The New York Times when I did, and The Wall Street Journal was a wonderful place to spend 23 years.
How did you make the distinct transition from reporter to management?
In 1975, The Wall Street Journal decided to start The Asian Wall Street Journal. There were two correspondents in Asia at the time—Peter Kann in Hong Kong, and I was stationed in Tokyo. So they tapped us to start it. He was the editor and publisher and I was the managing editor. Neither of us knew about management, but the initial belief was that we’d be chopping down stories from the U.S. edition. We were into it for about a week when we realized the only future was going to be covering Asia financial news, and so we started putting together a staff. That’s how I got into management.
Early on I came to understand that, in many cases, the more you delegate, the more you get to do. When I look back on my career … I would say I’m best known for the extraordinary journalists to whom over the years I was able to delegate authority and responsibility. People like Walter Isaacson at Time, Martha Nelson at InStyle and People, and Paul Steiger at The Wall Street Journal would be examples.
What was your motivation for accepting the offer to become executive editor at the L.A. Times?
I’ve worked in L.A. twice before and have always loved the West Coast. I spent my first years at The Wall Street Journal near L.A., and I spent two years with Forbes in L.A. Even during my years at Time Inc., I spent a lot of time in California. Due to Time Inc. properties like InStyle, Entertainment Weekly, People, and Essence, there was good reason to be here.
When Patrick, who had originally asked me to help him find an editor, turned around and asked me if I would do it, it was like a dream come true. I realized; however, the L.A. Times had been through a very turbulent time. When I came in, I was the 11th editor in 21 years. … Here was a lot of instability, but at the same time a very talented staff that held the place together heroically.
What was the biggest challenge you faced when you accepted the role?
I saw the looming editorial issues but … Tronc had consolidated … many of the business functions in Chicago subsequently affecting timeliness of business and IT support.
Add to that an economy that was so damaged by the pandemic. Ad-supported media has been under extraordinary pressure since March 2020. We’ve been pushing a more dynamic relationship with our audience. Those were the trends, but in the past six months, the trends accelerated in what I would have thought would have taken six years.
The question of whether we will be printing seven days a week or something less frequent was not on anybody’s mind a couple years ago. But the combination of technology in terms of how people are using mobile, coupled with changing the dynamics of how we distribute our publications or how we reach new audiences, requires an investment in technology.
What do you see as the primary role or characteristic that distinguishes the L.A. Times’ place in journalism in the 21st century?
If The New York Times is known for “All the news that’s fit to print” and The Washington Post is “Democracy dies in darkness,” if the L.A. Times were to have a slogan, it would be “Your window on the future.” The idea that society at large ought to be thinking the way that Californians are thinking … but also it would capture the innovation and inspiration that continues to draw people to Los Angeles even as others are deciding to leave.
You just announced your plans to step down. Why now, and what’s next for you?
When I started in June 2018, I thought it’d be a one-year assignment, maybe two. Right around the two-year mark of new ownership, and of me being executive editor, we finally wrapped up the untangling from the former parent company. The Los Angeles Times is in a great position now, despite the pandemic and a tough industry. The Soon-Shiongs have continued to invest in the L.A. Times and it’s a great product. This is a good time to bring someone in to lead the next phase of the revival. Patrick has asked me to stay on as an advisor, which I plan to do. This will be the third time I’ve retired and I’m ready for a gap year. I’d like to do some more reading, perhaps some writing and—when it’s possible—get back to the boxing gym.
